Galerie Bärbel Grässlin

Tortas Imperiales (Imperial Slap)
1/56
Manuel Ocampo, Tortas Imperiales (Imperial Slap), 2017, oil, acrylic on canvas, 300 x 200 cm
×
Tortas Imperiales (Imperial Slap)
2/56
Manuel Ocampo, Tortas Imperiales (Imperial Slap), 2018, oil, acrylic on canvas, 300 x 200 cml
×
Tortas Imperiales (Imperial Slap)
3/56
Manuel Ocampo, Tortas Imperiales (Imperial Slap), 2017, oil, acrylic on canvas, 300 x 200 cm
×
Tortas Imperiales (Imperial Slap)
4/56
Manuel Ocampo, Tortas Imperiales (Imperial Slap), 2018, oil, acrylic on canvas, 300 x 200 cm
×
Tortas Imperiales (Imperial Slap)
5/56
Manuel Ocampo, Tortas Imperiales (Imperial Slap), 2017, oil, acrylic on canvas, 300 x 200 cm
×
Tortas Imperiales (Imperial Slap)
6/56
Manuel Ocampo, Tortas Imperiales (Imperial Slap), 2017, oil, acrylic on canvas, 300 x 200 cm
×
Penetratorz
7/56
Manuel Ocampo, Penetratorz, 2018, oil, acrylic on canvas, 130 x 89 cm
×
500 years after Guernica
8/56
Manuel Ocampo, 500 years after Guernica, 2018, oil, acrylic on canvas, 153 x 121,5 cm
×
one annihilates while thinking
9/56
Manuel Ocampo, one annihilates while thinking, 2018, oil, acrylic on canvas, 153 x 121,5 cm
×
To the aspiring Patriarch
10/56
Manuel Ocampo, To the aspiring Patriarch, 2018, oil on canvas, 162,5 x 130 cm
×
The Sorrowful Wife
11/56
Manuel Ocampo, The Sorrowful Wife, 2009, oil on canvas, 180 x 120 cm
×
My Dancing Days Are Over
12/56
Manuel Ocampo, My Dancing Days Are Over, 2009, oil on canvas, 180 x 120 cm
×
Malnutrition of Love
13/56
Manuel Ocampo, Malnutrition of Love, 2009, oil on canvas, 180 x 120 cm
×
God Is in The House
14/56
Manuel Ocampo, God Is in The House, 2009, oil on canvas, 180 x 120 cm
×
Some Candy Talking
15/56
Manuel Ocampo, Some Candy Talking, 2009, oil on canvas, 180 x 120 cm
×
You Should Be Working
16/56
Manuel Ocampo, You Should Be Working, 2009, oil on canvas, 180 x 120 cm
×
She Don't Love Nobody
17/56
Manuel Ocampo, She Don't Love Nobody, 2009, oil on canvas, 180 x 120 cm
×
The Poop Meeting (Dispositions of Inner-Worldly Transcendence)
18/56
Manuel Ocampo, The Poop Meeting (Dispositions of Inner-Worldly Transcendence) , 2004, oil, acrylic on canvas, 180 x 120 cm
×
D.C.S.F.M
19/56
Manuel Ocampo, D.C.S.F.M, 2009, oil on canvas, 170 x 125 cm
×
Paycheck to Paycheck
20/56
Manuel Ocampo, Paycheck to Paycheck, 2009, oil on canvas, beer and vine bottles, painting: 160 x 130 cm, total dimension: 225 x 130 cm
×
Untitled
21/56
Manuel Ocampo, Untitled, 2001, oil on canvas, 151 x 122 cm
×
Talisman
22/56
Manuel Ocampo, Talisman, 2009, oil on canvas, 200 x 190 cm
×
The Avant Garde Fairy
23/56
Manuel Ocampo, The Avant Garde Fairy, 2009, oil on canvas, 200 x 190 cm
×
The Puffed-up Pastry seen from the Viewpoint of a Crucified Somnabulist
24/56
Manuel Ocampo, The Puffed-up Pastry seen from the Viewpoint of a Crucified Somnabulist, 2004, acrylic on canvas, 160 x 314 cm
×
Life is Crap
25/56
Manuel Ocampo, Life is Crap , 1994, oil, acrylic, collage on canvas, 177 x 268 cm
×
Macho Forever
26/56
Manuel Ocampo, Macho Forever, 1996, oil on linen, 186 x 202 cm
×
Ex-Voto
27/56
Manuel Ocampo, Ex-Voto, 1995, oil on canvas, 122 x 152 cm
×
El demonyo vive en mi culo cagando caras de cristo
28/56
Manuel Ocampo, El demonyo vive en mi culo cagando caras de cristo, 1998, oil on canvas, 195 x 250 cm
×
Manananggal: no es una virgen I
29/56
Manuel Ocampo, Manananggal: no es una virgen I, 1998, oil on canvas, 195 x 130 cm
×
Geriatric Dilletante
30/56
Manuel Ocampo, Geriatric Dilletante, 2004, oil on linen, 121 x 91 cm
×
The Vanity of Theories taught before like eternal Truth
31/56
Manuel Ocampo, The Vanity of Theories taught before like eternal Truth, 2002, oil, acrylic on linen, 153 x 122 cm
×
An existential serviceability of the cliche
32/56
Manuel Ocampo, An existential serviceability of the cliche, 2002, oil on canvas, 152 x 122 cm
×
The Highest Product of Distraught Bourgeois Self-Consciousness
33/56
Manuel Ocampo, The Highest Product of Distraught Bourgeois Self-Consciousness, 2002, oil, acrylic on canvas, 152,5 x 122 cm
×
The world is full of objects more or less interesting. I do not wish to add anything.
34/56
Manuel Ocampo, The world is full of objects more or less interesting. I do not wish to add anything. , 1998, acrylic, oil, collage on canvas, 154 x 122 cm
×
Ha ha what does this represent?
35/56
Manuel Ocampo, Ha ha what does this represent?, 2002, oil, acrylic on canvas, 153 x 122 cm
×
I'll Just Try and Not Think About My Receding Hairline
36/56
Manuel Ocampo, I'll Just Try and Not Think About My Receding Hairline, 1998, oil, acrylic on linen, 153 x 122 cm
×
The Noise of The Carpet
37/56
Manuel Ocampo, The Noise of The Carpet, 2009, oil on canvas, 51 x 40,5 cm
×
Justice
38/56
Manuel Ocampo, Justice, 2009, oil on canvas, 45,5 x 35,5 cm
×
Here Comes a Regular
39/56
Manuel Ocampo, Here Comes a Regular, 2009, oil on canvas, 50 x 40 cm
×
Foucouldian Pre-empters for Gazeaholic Tardiness; 12 Step Programme in the Post-Colonic Arena (drunk cat)
40/56
Manuel Ocampo, Foucouldian Pre-empters for Gazeaholic Tardiness; 12 Step Programme in the Post-Colonic Arena (drunk cat) , 2000, oil on canvas, 149,5 x 120 cm
×
Shifting the Unfettered Voice - Parodic Mime Enhancers (Christ Kama Sutra)
41/56
Manuel Ocampo, Shifting the Unfettered Voice - Parodic Mime Enhancers (Christ Kama Sutra) , 2000, oil on canvas, 149,5 x 120 cm
×
The Highest Product of Distraught Bourgeois Self-Consciousness
42/56
Manuel Ocampo, The Highest Product of Distraught Bourgeois Self-Consciousness, 2003, collage on paper, acrylic- and water colour, 152 x 122 cm
×
Painting only merits Indifference from Culture that is Difference from a Culture that craves instant Gratification
43/56
Manuel Ocampo, Painting only merits Indifference from Culture that is Difference from a Culture that craves instant Gratification, 2003, collage on paper, acrylic- and water colour, 152 x 122 cm
×
and Albert Oehlen, Untitled
44/56
Manuel Ocampo, and Albert Oehlen, Untitled, 2005, gouache, collage on canvas, 150 x 120 cm
×
Untitled (32)
45/56
Manuel Ocampo, Untitled (32), 2003, collage on paper, acrylic- and water colour, 106 x 75 cm
×
Untitled (30)
46/56
Manuel Ocampo, Untitled (30), 2003, watercolour on paper, 106 x 75 cm
×
Untitled (31)
47/56
Manuel Ocampo, Untitled (31), 2003, collage on paper, watercolour and crayon, 106 x 75 cm
×
Untitled (28)
48/56
Manuel Ocampo, Untitled (28), 2003, watercolour on paper, 107 x 72 cm
×
Untitled (34)
49/56
Manuel Ocampo, Untitled (34), 1993, watercolour on paper, 107,5 x 80 cm
×
Untitled (8)
50/56
Manuel Ocampo, Untitled (8), 1979, watercolour on paper, 71,5 x 54,5 cm
×
Untitled (11)
51/56
Manuel Ocampo, Untitled (11), 1973, watercolour on paper, 45,2 x 60,8 cm
×
Untitled (09)
52/56
Manuel Ocampo, Untitled (09), 1968, watercolour on paper, 58,6 x 60,9 cm
×
Untitled
53/56
Manuel Ocampo, Untitled, 1972, watercolour on paper, 45,4 x 60,7 cm
×
Untitled (20)
54/56
Manuel Ocampo, Untitled (20), 1979, watercolour on paper, 45,5 x 60,7 cm
×
Untitled
55/56
Manuel Ocampo, Untitled, 2001, digital print, screen print, lacquered, 70 x 100 cm, edition of 30
×
Tortas Imperiales
56/56
Manuel Ocampo, Tortas Imperiales, 2018, Accompanying the exhibition, Jun 30 – Aug 25, 2018, Galerie Bärbel Grässlin
×